چكيده به لاتين
Decorations in architecture are an integral part of Iranian architecture, and with the passage of time and the expansion of the city, the decorations of the building undergo changes, which in most cases are met with lack of kindness and ignoring the city.
The historical texture of Nawab Mashhad is no exception and with the expansion of the master plan around the holy shrine, most of the valuable Qajar and Pahlavi buildings have been destroyed. The decoration of historic buildings is part of the valuable antiquities of any community, and there is no incentive to protect them because these values are not tangible to the people. Therefore, the purpose of writing and designing this dissertation is to organize the buildings with the value of architectural decorations, including pediment, which is hoped to be an incentive for future generations to make more efforts in preserving and preserving valuable buildings. Finally, by choosing the historical monument of Mohammadi and presenting a restoration plan, as a small stain in the texture that provides the ground for protection for the locals. Also, by analyzing the pediments of Baft's buildings, we came to the conclusion that Santouri is right, he was born in Europe, but Iranian architects, with their art, made changes and exhibited Iranian art.
